Just as — or maybe because — a dramatic adaptation of Emile Zola's first successful novel "Therese Raquin" is opening on Broadway, Acorn has released on DVD the 1979 miniseries, seen back then on Masterpiece Theatre. This is the depressing tale of a woman, Therese Raquin (Kate Nelligan) utterly bored with her childish and lifeless husband Camille (Kenneth Cranham), his overly doting mother (Mona Washbourne) with whom Therese runs a small shop, and the same set of friends who gather every week at the Raquins to play dominoes.
One can really feel for Therese, at least at first! When Camille's friend Laurent (Brian Cox) visits, there is immediate sexual attraction between him and Therese; and a long affair begins (with scenes that were quite shocking for American television back then). It is notable that Zola wanted to show "the brute" in people; and Nelligan's imitating a cat in bed dramatizes perfectly Zola's concept.
There is an unforgettable scene at the Morgue, where the naked bodies of recent victims are laid out on tables for the public to identify or simply gawk at. People as brutes and then as meat. Pure Zola.
The killing of the husband is a bungled affair and the rest of the drama shows the disintegration of the lovers' relationship. (I can surely reveal this much, since it is inevitable.) The acting is what makes this a remarkable dramatic offering. Here I must mention Alan
and now out on a single Acorn DVD. It starts when Ruth Gilmartin (Michelle Dockery) visits her mother Sally (Charlotte Rampling) and learns that the latter's real name is Eva Rickman in a secondary role as an artist friend of Laurent.
The picture shows its age, especially during dark scenes, and the subtitles are most welcome. Each of the three episodes runs 51 minutes.
"Restless" is a 2-part 3-hour spy story based on a novel by William Boyd Delecktorskaya, a Russian who worked as a spy for the British during World War II under the supervision of Lucas Romer (Rufus Sewell) and who is still fearful for her life.
The rest of the story bounces between the war days (in which Eva is played by Hayley Atwell) and the present (in which Rufus is played by Michael Gambon). The dealing and double dealings need close attention for the final revelation to make any sense; but the excellent acting throughout and the attention to period detail in the flashbacks make the viewer want to carry on up to the surprising end.
I will say no more, lest I spoil things. Much recommended.
Frank Behrens reports on classical and Broadway music as well as recordings of books and plays for the Arts and Entertainment section. Visit franklinbehrens.com for past reviews.